unforeseeable weight of the obstacle

I was under the impression that the thinking of subjects to shoot would be the greatest challenge. Not undermining that as a challenge, but the dialectic qualities within the diptych has served much more of a challenge. I have all of these almost stock images for what I consider to imply sin, but then merging of two changes everything! So I have come to the conclusion that the best and most efficient way to go about this is to shoot everything I think of (quickly) and devote my time to finding the best possible relationships. Mike really helped me realize all this with his great insight and after 24 hours of really letting that settle in, it has become even more clear.